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Please note that this Library holiday season will be open on schedule as always, only closed on 25 December and 1 January.

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altered Metro, climate change and Mexico

Last week in the auditorium of the Museum of Mexican History, we were honored to receive the architect José Enrique Ortiz Lanz, Director of Exhibitions of the Bicentenary Committee, who gave a lecture about the exhibition entitled "390 ppm altered planet: climate change and Mexico, "which is part of the Bicentennial Expo Guanajuato. Here we present a fragment of the paper, inviting them to come to the library and video library of MHM to see the full videotape.

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TRIBUNAL ORAL PÚBLICO / NOVIEMBRE 2010

The Public Oral Court of the call for PFC November 2010 will take place on 26th November at 24:00 at the Salon de Grados of
UCJC
The visiting professor to serve on the Court will be on this call:

Dalmau Maria Fuller Buigas

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THE MUSICAL SAGAS ALCUBLANAS

The bands of the people are much more than a musical group. Are the basis of local culture, transmitting values \u200b\u200band traditions and, above all, an intergenerational dialogue that is secured by the coexistence of the trials, parades, competitions, performances, travel ...
addition, for decades, being a musician in small towns like ours was one of the few ways out of the daily routine. Everyone remembers fondly his first performance at the Fallas in Valencia or stay in Villena for the Fiestas de Moros y Cristianos. This allowed them to go to the cinemas of the capital, the theater, trendy nightclubs, watching a bullfight with the leading figures ... in short, that they could not do in Alcublas.

It is no wonder that the desire, sacrifice and perseverance are owned by the Musical Union Alcublana has been transmitted from generation generation. In these 125-year history of our band alcublanas many families who have had a musician at home. On this anniversary, but could not overlook those families who have always been historically linked to the band since its inception, and continue to be so today.

is the case in the saga of the Gabarda (Joaquín Ciriaco, Manuel, José Manuel, José Lázaro and seven great-grandchildren Ciriaco Gabarda Joaquín, José, Manuel, José Luis, Pablo, Rosario, Marta and Cecilia) uninterrupted for four generations have nurtured the band of eleven musicians. José Manuel Gabarda-with Julio Manes, this year celebrated its golden anniversary with the Musical Union Alcublana. His love of music, his work and dedication to the band for 50 years have been an example to all who have shared podium with him.
also four generations of the family Navarrete have been present in the band (Joaquin Pascual-great-grandfather of musician Bruno Pérez, Manolo, Pedro and Maria Jose).

The Sanz family present in the band for three generations, has made seven musicians. The grandfather, Andrés Sanz, his son Andrew and all their grandchildren (Andrew, José Antonio, José Manuel, M ª Angeles and Patricia).
Eight members of the family Cabanes, best known for "The Froilanes " have been part of the band. The brothers Vicente, Miguel and Rafael and sons (Luis and Rafa) and grandchildren of it (Adrian and Hector), and a grandson of Vicente, Vicente Cabanes.

Also, for three generations, have been present: the Maness family (Cesareo, Joaquín and Eduardo), the family Sunday, better known as " tobacconists" (Joseph, Jesus and Joseph's brothers and Dani Sunday), the family Civera, "the Geldo "Francisco Civera, Rafael Civera father, son," wrote the lyrics of the anthem of Alcublas, and grandson, others Civera, better known as The Kika, Manuel Civera, José Manuel Civera and children (Miriam and Fernando), the family Perez comprised of brothers Angelo and Antonio, his son Isidro-bearer Alcublana Musical Union, and his sons, Isidro and Antonio. Also three generations, although in this case interrupted saga has brought the Cerverón : Cerverón Rafael, Rafa Cerverón (grandson) and four great-grandchildren of the first (Miriam, Ignacio, Fernando and Rafael).

To these and all the families of Alcublas that for 125 years have made possible so unselfish and generous, the Musical Union Alcublana be kept alive, thank you very much.


Miriam Civera.

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4 ALUMNOS DE LA ESAYT SELECCIONADOS PARA LA BIENAL

Four students of UCJC ESAYT have been selected in the English Biennial Architecture and Urbanism . PFCs are available on the Web X Biennial

_Teresa Sánchez Oliveros / Encajarte Expression Interactive Civic Center / http://www.bienalx.es/muestrapfc/?p=218

Berbesi Fabián Quintero _Leonardo / Domus Ludens, play and leisure center / http://www.bienalx.es/muestrapfc/?p=222

_Jaime Fernández García / New Intermediae in the Prado-Recoletos / http://www .bienalx.es / muestrapfc /? p = 227

_Cristina Gutiérrez Pérez / Ribosome. Civic Center / http://www.bienalx.es/muestrapfc/?p=437

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LONG LIVE FOOTBALL!

We edited # 4 Cultural Alcublas our newsletter. This time is a monograph devoted to the history of football in Alcublas. A real shame we can no longer enjoy the Sports Union ...

'll leave you with the Bulletin. We hope you like ...

Ramiro Pena n º 4

View more documents from penyaramiro .

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TRIBUNAL NOVIEMBRE 2010

President of the Court: Pastor Marta

Suppl: Fernando Jerez

Clerk of Court: Ciro Márquez

Suppl: Miguel Angel Diaz Camacho

Vocal 1: Arturo Blanco

Suppl: Joaquin Lopez Vaamonde

Vocal 2: Alexander Street

Suppl: Juan Carlos Arroyo

Vocal 3: Víctor García Barba

Suppl: Marta Toral

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EDITADO! FECHAS DE ENTREGA CURSO 2010-2011

EDITED APRIL 2011!

> Call for November :
November 18 / 11.00-13.00h >> Delivery PFC Nov. 19
> ;> provisional ratings
Posted November 22 / 10:00 a.m. >> Private Court
November 26 / 24:00 >> public oral Tribunal

> March Call:
March 24 / from 11.00-13.00 h >> PFC Delivery
March 25>> provisional ratings
Posted March 28 / 10:00 a.m. >> private court
April 1 / 24:00 >> public oral Tribunal

> June Call:
June 22 / from 11.00-13.00 h>> Delivery of PFC
June 24>> provisional ratings
Posted June 27 / 10:00 a.m. >> Court
private July 1 / 24:00 >> public oral Tribunal

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CONSULTORÍAS TÉCNICAS

techniques for PFC Consulting / Facilities + Structures + Construction

When? > Thursday from 18.30 to 21.00h
Where? > In the Classroom / Workshop PFC Hall East, Lecture Hall B
How? > No appointment

consultancies are not binding towards the delivery of the thesis. It is a tool student support for technological development of the project.

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PROGRAM 9 / INTERVENTION IN AN AREA CLEARED. BRAVO MURILLO

visible city

>> Subject:

Strategies and tools for action on urban space cleared in the vicinity of Bravo Murillo in this case taking the side of the option to "repair pathologies to the consumption of land.

In this context, there is the opportunity to carry out a repair the urban fabric to redraw its boundaries and provide it with permeability enhancing social applications by developing new programs and relationships. Low cost architectures, reducing land consumption, synergies with existing invasive systems, low-impact devices, etc.

The project will involve the restructuring of the area cleared and indeterminate by a complex intervention on the area and its limits are aware that our actions are able to establish new networks, social and cultural ties through the generation of catalytic activity.

>> Place:

The area of \u200b\u200bactivity, between the streets Bravo Murillo, Teruel, Jaén Dulcinea-sets and a transitional space between two very different urban situations:

- First Bravo Murillo environment, an area in permanent rehabilitation remains a serious shortfall in social and urban order, with a high rate of population immigrant and elderly. There is also a high density of population in a heterogeneous urban landscape.

- On the other hand, the area of \u200b\u200bOrense and Azca, east of the site, with a more uniform and orderly pattern, tertiary activities related to communication systems and fluid and accessible.

The site is set back from the street Reina Mercedes, and presents at this point a physical discontinuity due to topographical constraints.

>> Tools:

H1 / Research program

contemporary and social. The program as a tool to anticipate and relationship. New uses and alternative and innovative programs.

The program should be defined by the student as part of the exercise clearly projecting a proactive attitude

general program parameters to incorporate in the process:

P1 > Playful Program>> Support for leisure activities, sports and relationships.

P2> Program Production>> Support of various productive activities, care, services, real physical / digital, etc.

P3 > Residential Program>> Temporary housing / rental program connected or not productive. Housing as a component capable of generating symbiotic relationships, parasitic, etc with estructuras existentes.

P4 > Programa Ambiental >> Nuevas soluciones de paisaje en relación al espacio público urbano. Investigación ambiental. Cualificación. Medio como soporte.

P5 > Programa Accesibilidad >> Vehículo privado. Medios de transporte públicos. Comunicaciones. Optimización para la reducción del consumo energético.

H2 /   Investigación tecnológica

Reflexión sobre material and structural expression of the new actions in a consolidated environment. Consistency

material proposal, based on economic criteria (media, consumer, time, etc)

Feasibility of implementation

Time. Temporary or permanent.

Impact of the buildings as part of the urban fabric material

H3 / Energy Research

reflection about existing energy utilization. Systems assets / liabilities. Incorporation

variables and generate savings.

Transport and ecology.

H4 / Environmental Research

Generating a qualified urban landscape as public space and the relationship with ability to "pollute" their environment.

Waste Management

H5 / Urban Research Tools

restructuring, revitalization and communication.

Redefining boundaries.

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PROGRAM 8 / OLD GARAGE. FOUR WAYS. MADRID

Complex

metropolitan Cuatro Caminos

intentions Memory

The Metropolitan Cuatro Caminos, we find a site with an approximate area of \u200b\u200b20,000 m2 whose current use is for the garages and offices of Metro Tetuan.

This lot is situated between two main roads of the city, north to Avenue of the Queen Victoria and south-west Paul Street Iglesias.

growth being experienced in this area of \u200b\u200bMadrid, with traffic congestion that occurs in the Glorieta de Cuatro Caminos, suggests the transformation of the urban void.

aim is to create a social purpose building that articulates and rehabilitate existing units and manage the demands of the area.

To this end, we propose the creation of a transport interchange to organize the existing lines metro (L1 and L2) and buses passing through the area and congestion and the Glorieta de Cuatro Caminos. Propose a rehabilitation of existing underground parking and the creation of new public space for social use and commercial culture.

Indicative Programme

1 .- URBAN PLACES: Urban Space Conditioning

2 .- EXCHANGER TRANSPORTATION: Metro / Bus

3 METRO OFFICE .-

4 .- UNDERGROUND GARAGE

6 .- CAFETERIAS

7 .- COMMERCIAL AREAS

8 .- MUSEUM OF METRO

9 .- CULTURAL SPACES

10 .- EXHIBITION

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PROGRAM 7 / + HOUSE CULTURAL CENTER. GRANADA

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PROGRAM 6 / Plaza de Atocha. MADRID

laboratory Laboratory of Art + Landscape + Residence. Plaza de Atocha. Madrid.

In the environment of the Plaza de Atocha in Madrid, located at one end of the great urban axis formed by the Paseo de la Castellana, Paseo del Prado and Recoletos, will consider the implementation of a Laboratory Laboratory of Art + Landscape + Artists Private.

Such an environment will consider the following prescribed conditions:

exist are considered the three blocks built to mediate between Almaden Street (towards overturning the vertical garden "Caixa Forum") and Calle Santa Isabel (from which you access the Museo Reina Sofia), also located between the streets ashtray, Dr. Drum, the Paseo del Prado and the Glorieta de Carlos V.

Be considered feasible traffic underground.

specific programs of the Workshops are free to develop according to the parameters you specify and develop over the course for each student. The Residency Program Artists will have to put to 23 scholars, living areas, dining room with all its annexes, hall, small gymnasium, exhibition space, plus all the needs that a program of this nature and situation needs.

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LANDSCAPES OF WAR STORIES Alcublas CHELVANA

In the Plenary Hall of the City of Alcublas has taken place during the week of August Festivals Expo Alcublas LANDSCAPES OF WAR. Have exposed the remains of war material recovered in the mountains near Alcublas, as well as a large collection of press time.
was attended by over two hundred thousand people .




The exhibition was accompanied by a documentary which explains the brink of war in our immediate environment and through the testimony of those over Alcublas recalls the bombing suffered by the population.



were also able to read the letter from a young alcublano in front of the center who participated in the battle of Brunete and could not return to his village.



There is a widening public interested in this type of culture that combines the landscape and territory, hiking and tourism, leisure and education. This growing interest in the recovery of the material remains of the English Civil War match both aspects of the so-called historical memory as projects related to tourism development, or both simultaneously. All this was intended to get from exposure.



As a climax to the exhibition, on the morning of Saturday 21 August, two Bücker EC-GIS Jugmann flew over the sky overhead alcublano recalling old battles.

I add the other documents and videos relating to:









and ended with the handwritten letter in which young alcublano for privacy, we have removed the names ...
Clicking on each of the images can be read.

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The CHELVANA began his business career in 1925. His centenary is approaching.

Since then, many memories are crowded at the gates ... How much those seats will have lived! How many will alcublanos Chelvana stories!

is why so want to start a series of articles with the theme of The Chelvana : memories told in first person of many alcublanos whose life is unfailingly beside THE CHELVANA.

and start this series of memories with the article published in Ramiro Peña as a tribute to Andrés Sanz Santolaria , on the occasion of his retirement.




Our friend Andrew before working in the Hispanic Chelvana as collector driver first and later started their wanderings with farm work. At Valencia, he decided to go to work and entered the Chelvana of collector. past all the cars had collector line apart from the driver. Andrés still had no driver's license.
tells us that even today is very grateful to their heads, because they forced him to pull out the card, arguing that the need to work in any business.

When they removed the Chelvana collectors, he already had the press card and that's when the mistakes began to make his teammates as replacement driver.

began to climb Alcublas as reinforcement, for even now there is only one daily service at that time were two, as well as on Sunday. The days that stayed up in the workshop. In those years
Alcublas down from a valence 20 or 25 people, plus another car for the people going to Carril, a Liriano or Casinos. Therefore the two services were justified. Formerly
gave tickets to Liria and vice versa (Liria-Alcublas). The journey Liria Valencia was brought to the VASA, by agreements between the two different companies. Later took part also the councils themselves.
To recreate those times, Andrew tells us about the state of the road, particularly that of the rochas, which was paved and crushed. Literally says:
"Watch the speed that we took up the rochas (then still went collector driver and him) that the section of the box, where there were two humps in a row, I had to get off the bus and helped launch the driver to make the maneuver. Then, without stopping, climbing back to the bus. "
already being Andrés driver, in his first trip to Alcublas tells us that was not afraid to have had those experiences as a collector and also good knowledge of the road. "Road? tells us the Chelvana occupied the entire road, but fortunately because from Liria, rail or Casinos Alcublas you passed with no more than 5 0 6 vehicles, many with RHD.
Finally, remember the transhipment Casinos, having an agreement as they had two services on Saturdays and Sundays. Beginning to be deficient line, the company seeks an agreement with the City Council, which he refuses for not having enough money, but is responsible for the transfer you have to do in casinos.

happy and well deserved retirement: enjoy.

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PRESENTATION - Discovering Your Self - PERU


In recent years, talk about conservation is a hot topic, everyone knows that this is all handled the word daily, but few do anything to achieve the goal of conserving our planet. Following our ecological awareness
life gave us space to work in the field, where every day contributed many ideas to improve their conservation.
We also believe that we can not look after our diversity unless we know what we have to care, so this blog bases its existence on being a source of dissemination of Natural Areas Protected by the Peruvian state in the north, of which have the awareness and the responsibility to conserve, resaltandoque these areas will not only be protected individually, if not whole. As this is a source of opportunities for people living in the vicinity.
The import of these areas lies in biodiversity that contributes to our country and therefore our planet, called "hotspot" (hot spots), based on the variety of species of flora and funa in existence. Within
ANP is protected is the Coto de Caza El Angolo, specifically the second ANP is more variety of bird species at the national level is worthy of note also that the Amotape Hills National Park is the ejemlo rather dry forest preserved across the equatorial Pacific region.
In these northern areas do not have the common giant animals africa, but there are animals that deserve respect and attention, among which we mention: The puma, mountain lion (Puma concolor), considered the largest carnivorous feline America Bear elegant (Tremarctos ornatus), the only species of this family currently esiste in South America, the delicate and graceful vicuña (Vicugna Vicugna) and colorful and rustic Wanaku (lama Guanica) existing in the National Reserve Calipuy between cintifico animals and ecological value. Among the volatile animals, no we have a phoenix from the ashes renazaca as shown in Greek mythology, but in these areas have with oprgullo flaunt the White-winged Guan (penelipe albipennis), considered exitinta for 100 years, which reappeared like a phoenix from the extinction labayeque dry forests, gets special mention cortarama Peru (Peruvian Plantcutter), the red-headed parrot (Aratinga erythrogenys), whose species has been the parrot decimi neotropial in U.S. imports, with more than 26,000 copies between 1981-1985 , among other birds that deserve mention. In plants it is necessary to draw the tatinca (Puya raimondii), the Guayacan (Tabebulia bellbergii), the hualtaco (Loxopterigium huasango), the latter two species highly prized for the production of parquet. Among the archaeological remains talk of SICAN and 34 pyramids, the great goldsmith and fascinating world view that we see between the Pomac Forest Historical Sanctuary and Wildlife Refuge Laquipampa, deserves special mention mangrove bsque only in our country speak NacionalManglares Sanctuary of Tumbes, of more than 200 species of birds that inhabit this ecosystem, the Tumbes region, becomes the last line distribution or crocodile American crocodile (Crocodylus acutus) and Habitat of the howler monkey ( Alouatta palliata), whose species is endangered extinction.
Hills National Park Amotape, Tumbes National Reserve and El Coto de Caza El Angolo form the International Biosphere Reserve in northeastern Peru (Recognition of UNESCO), which is the preferred ecositema neck white squirrel, the dorsigris hawk, otter the northwest, the white-tailed deer, including rare and endemic species. Eh
here one of the thousand reasons behind this little phrase! I keep my biodiversity, my culture!,! I love my country and proud of it!

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THE SACRED ART THAT WILL BE IN Alcublas

Alcublas parish church houses an important collection of religious art. On several occasions been exposed part of the public. Thus began an article now try to uncover all the great art collection found within.
Alcublas parish church is dedicated to San Antonio Abad skipper and owner. It's a good
Tuscan temple , with three entrances, one next to the letter and two near the tower, with altars and images described later.
The images not know for sure the year of construction, but we would be late seventeenth or early eighteenth century. "
" Notes useful to write the history of the kingdom of Valencia. " Valencia, 1911. DIRTY APARICIO, Peter.
Priest.



Image 2: "The Crucifixion"


-"... In its most ancient XIII century . We believe that the early church did not understand more than the vestry and to the dome. The previous tower the seventeenth century stood on the corner of the present sacristy. subsequently built a new church attached to the old, but as the original was unable to accommodate all the faithful, the new soon became too small due to increased population of the seventeenth century, and to expand the temple, it was agreed 1610, to build another chapel: San Jose. In 1633, it was agreed to widen it to other Navada.
In 1612, it was one of the agreements which Alcublas enrich the Church reads: "Die XV
aprilis dicti anni. In General Council was given was to agree a silver cross for the Church with Mestre Aloy Cabanes, a silversmith in the best giving power to enter ... "
In 1648, erected the chapel of the Virgen de la Salud , taking space for her home Sunday Enguita ..
In 1671 construction began on the altar and in 1671, a proposal by the grand jury, Pedro Martinez agreed to instruct the main altar Martínez Argudo sculptor, for the price of 400 pounds. In 1673, the Council agreed "... to bring the saw timber and help individuals with their mules to help the town with some individuals spending anything for her ". In January 1674, after completion of the altarpiece, a new difficulty: altarpiece higher than the dome. There was therefore, to raise it on the part of the presbytery. Task took the sculptor himself Argudo, and to meet the new spending, it was agreed that in the month of August, come out to pick corn or money from the public. In 1683, at the initiative of the Rector of the parish, the altar is gilded. To achieve a neighbor was involved in an act moving "...
"... An obligation for the good of the Church to take over the tillage of the land, such as Villa
point, realizing that beareth fruit to brown the altarpiece of San Antonio Abad Church of
this town. " His commitment was accepted and his name remained anonymous,
assume that willingly.



"Alcublas, approach to history." Dolores Sunday Comeche

THE SACRISTY.

was the first oratorio. Its origin was
Roman (XIII century).
Since it was created a ship that corresponds to the current aisle. During the sixteenth century extended the nave and the altar, mainly by the needs that were created with the rising population.
originally consisted of a single tall plant. In 1988 work began to get two more floors, was then murals were discovered to have been exposed on the altar:

􀂾 "The Crucifixion". Mural painting dating from the thirteenth century.
􀂾 Life and miracles of San Antonio Abad. " Tempera paint mural for the XV century.
not know the author of "The Crucifixion", but a poster attests to the author of Gothic painting
XV century temple.
The letters of this poster are painted mimic that were carved in stone at this time.
is written in Latin and Valencia at the same time, and translates this way:
"In the year 1442 did this altarpiece" folumbrero (unclear translation, may be regarded painter, maker, illuminating ... ), Sebastian Sunday.
Above the entrance to the sacristy from the altar is a painting located in San Cristobal, dating from the seventeenth century . It was restored after discovering as apoyadero on the litter of the processions.

Picture 4: "Life and Times of San Antonio Abad "

THE OLD RETABLO.

The original altar was of great artistic value. unfortunately caught fire in 1917.
was built gilded and painted wood, and paintings of significant value from prestigious schools. In the altar are exposed saved a few examples:

􀂙 "San Juan Bautista, baptizing Jesus ", belonging to the school Ribalta . 􀂙
"San Juan Evangelista, writing The Gospel", which comes from the Bank school. It also appears the image of the Virgin. 􀂙
"Eternal Father and Holy Spirit. Image of God the Creator "from the Italian Renaissance school. are believed was the pinnacle of the altarpiece.

the main altar also find an image of San Juan carved wooden polychrome XIII century, which also relates to the old altarpiece.

CHORUS AND ORGAN

were two representative elements of the temple.
The chorus is preserved.
The Authority was important artistic value. The overhang which was supported was of gilded wood and painted, as well as paintings on the sides of it. Unfortunately
vestiges of it.

MONUMENTAL STUDIO AND HISTORICAL HERITAGE OF Alcublas

ENCARNA Alcublas CITY OF GOVERNOR

We will continue with the Cross Parish, which we discussed earlier, http://penyaramiro.blogspot.com/2009/12/trabajaron-para-alcublas.html

CROSS PARISH


Cross XIII century. It is signed by Eloy Camañes, illustrious Valencian silversmith of the time .
was originally silver, which contrasted with a golden Jesus. Was recently modified with a gold plated and silver plated Jesus Christ, a move they see as less appropriate.
La Cruz is laboriously worked.
In the front, where Jesus Christ is bedridden, can be distinguished:

* San Antonio Abad, Alcublas pattern (in central medallion above).
* San Cristobal, protector of pilgrims (on a side medallion).
* Built Saints Abdon and Senen (on the other side medallion). Alcublas is an agricultural area and these saints are protective of the fields against hail and bad weather in general.
* Eastern Cross Egypt (at the bottom, at the feet of Jesus Christ.) Egypt is the land of birth of the patron San Antonio Abad. * San Agustín
(At bottom). In times of drought, the population relied on the Holy Day, San Augustine, ceded them to a spring.
* Eternal Father, at the intersection that is the Cross.

In the back are distinguished a number of saints typically Valencia:


* San Vicente Ferrer, the top medal.
* Santa Barbara, in the left side medallion.
* San Sebastian, in the right side medallion.
* San Vicente Martir, at the bottom.
* Virgen del Rosario, in the middle.

Processional Cross

This cross dates from the fifteenth century. It is gold-plated silver.
The bottom of it is the more remarkable, it mimics the chapels of the monasteries Gothic cloister, based on pointed arches and mullions.

IMAGE OF OUR LADY OF HEALTH


According to tradition, King James I gave images of Virgin or Christ, according to the devotion of the people he conquered . For the alcublanos gave them the image of Our Lady of Health, which was destroyed during the war civil. This image is an exact replica of the old. Pictured
include the Shield of the Old Kingdom of Aragon and the bat Coat of Valencia, in the arms of the Child.

side altars

Lady of the Forsaken

Data seventeenth century. Belonged to the Cartuja de Vall de Crist.

Like the Virgin of the Homeless of Valencia, is hollow on the back . was placed on the coffin of poor people to give a decent burial and protection of the Virgin , Hence its name.
is created with cardboard - stone to prevent excessive overweight coffins, and processions.

Interestingly, on the eve of civil war was taken to restore, which saved him from being destroyed as most of the images.

Memorial Ark (Ark of the Tabernacle)

Ark aims mainly to hold the goblet "shapes" consecrated on Holy Thursday and will be distributed in the trades Good Friday of the Passion and Death of the Lord.

Está creado con talla de madera de ciprés dorada y policromada, cuyas características le confieren una especial resistencia a la humedad y al ataque de xilófagos.
Los dibujos tallados son alusivos al Colegio del Patriarca, en Valencia.
La cofia, que constituye el remate superior, no existía, la añadieron en la última restauración. Mención aparte es la duración de esta restauración, que se prolongó durante dos años debido a la gran cantidad de gotas de cera derramadas, eliminadas una a una con bisturí.

Junto al Arca están ubicados dos ángeles de madera policromada cuyos estudios los datan del siglo XIII. Fueron donados a la Iglesia en 1950 by the family of Don Victor Alba.

Holy Cave Shrine of

timber is created with gold plated 24 kt, in the middle is the image of the Holy Cave in gypsum, the like the original.
the shrine is housed in a bony part of San Vicente Ferrer or some other saint, there are no precise knowledge about their identity.
It contains the following images:

San Joaquin and Santa Ana, parents of the Virgin, on the side.
St. Joseph and Child, at the top.
Fray Bonifacio Ferrer, the author of the picture below. Notably

two altars:

The first altar that was built after the civil war, with the Virgin of the Rosary.
The altar of San Rafael , whose value lies in the image created by Carmelo Vicent, Vicent Octavio's father, author of the Pilgrim image of the homeless.

and crucified Christ lying


Its uniqueness lies in its articulated arms that allow the two positions of its name.
Appears in the Holy Burial Procession on Good Friday.


Photos and text:

- Monumental Heritage Study of Alcublas Artisit, Encarna Alcaide.

- They left their mark on Alcublas (Blog Ramiro Peña), Peris Martínez JA.

IMAGE SAN ANTONIO ABAD

This image is of carved wood, gilded, polychrome and golden. Belongs to the seventeenth century.
was originally located on the main facade on the outside.
To prevent theft or damage it, we created a niche in one of the stone walls of the interior.
original location in an identical image was built of stone.

THE PALIO

canopy is the most valuable and oldest of the Valencian Community.
Its purpose is to cover when you leave the Blessed Sacrament procession.
is created with red velvet and embroidery are gold, silver and colored silks .
Stresses the central image, a Paschal Lamb with letters inscribed around it: ICCE AGNUS DEI ("Behold the Lamb of God"). In the extreme stress
ornaments allude to the Eucharist, spikes and clusters of grapes.
This canopy was on display at "The Light of Images" of the Diocese of Segovia , exhibition which sets out the most valuable works of religious art belonging to the Diocese: paintings, sculptures, jewelry ... Note that Alcublas
belonged to this diocese until he was welcomed by the Diocese of Valencia in 1954 because they felt the population.

The canopy was purchased from a very unique way. In 1765 two women were appointed to ask for alms in the ovens for the New canopy, for which he was broken and indecedente.

The City Council went to pick up by the population for the same purpose. In 1777, had not yet agreed bastamte when "that folded parael Snow Palio."




FRONT OF THE HEAD OF THE BED OF OUR LADY OF THE ASSUMPTION

is of gilded wood, gilded and painted. Eighteenth century. The highlights
registration of the Virgin Mary.

INFANT JESUS \u200b\u200bOF PRAGUE

commonly called "The Child of the Ball" contains the globe in his hand.
This wooden statue dates from the nineteenth century.
is known to have survived the war thanks to the protection of a neighbor Alcublas.

XV CENTURY CHRIST

is a gothic image carved in wood, which is dominated by the verticality of the figure.

True Cross
silver cross is a XVII century whose value lay primarily in its content, a tiny part of the wood of the Cross of Christ. Today is transferred to another cross acquired for the purpose.
is sealed by the Vatican as a demonstration of its authenticity .

shrine of St JERINA

is made up of carved wood gilded, gilt and polychrome.
not really know the membership of the piece of bone that holds, since there is no accurate translation of San Jerin.

SILVER

most valuable items are placed on three shelves that develop:

Top shelf:

™ chalice and paten of silver gilt, dating from the XVI century.
™ silver bells game for the consecration of the nineteenth century.
™ Old parish seal.
It is the image of San Antonio Abad, patron and owner of the temple.
is believed to be from the late eighteenth century principles XIX.
™ Brand parish chairs. Contain the logo of the Virgin, forming the letter em and a.

shelf environment:

™ Concha baptismal silver. Dating from the seventeenth century.
™ Copón Eucharist, to give communion. It is embossed and engraved silver. XVII century.
™ silver cruet, the nineteenth century.
™ Portapaz. Belongs to the seventeenth century. Formerly kissed parishioners in time of peace, during the Eucharist:
PAX TECUM ("Peace with you") - Priest
TUO ET CUM Spiritu ("And with your spirit") - Parishioner
™ ampulla contain oils baptism. It is silver, the nineteenth century. Shelf


under:

™ Goblet nineteenth century. It is gold-plated silver.
™ Goblet of 1827. It is believed that belonged to the priest whose name is inscribed on it, Don Jaime Domingo.
™ Shrine of the Holy Virgin. Belonging to the nineteenth century.
up to the first martyrs of the Church during the Roman persecution, including St. Agnes, St. Cecilia and Anastasia.
In the back is a picture of San Antonio Abad.
™ Shrine San Blas, a lawyer for sore throats. It is gold-plated silver and nineteenth century.
It houses a small bone of the saint.

it is worth noting also in gold:

+ The shuttle censer and silver, dating from the nineteenth century. Processional
+ Custody, dating from the eighteenth century.
is silver plated with gold and enamel coated perimeter, rubies and emeralds.
At the bottom is inscribed José Domingo. No one knows for sure if it was the author of The Custody or the bear.

Bibliography:

Study Monumental and Historical Heritage Alcublas, Encarna Alcaide.

Historical Notes on Alcublas of JCG

FABRICS

cope

red velvet forms the layer is again.
The old part has been preserved is a gallon. The highlight gallon
medallions with images of the saints whose feast is celebrated in red, being martyrs or apostles. Among them we highlight San Pedro, Santa Cecilia, San Pablo, Santa Lucia and San Juan Bautista.
In the back is the figure of the Eternal Father. "
This layer is used in the processions of Good Friday, Palm Sunday and the day of the Holy Christ of Faith

Dalmatic

own deacons Clothing The seminarians. At its lower level to the priesthood, may exercise all the tasks of the same except confessions and consecrating.
This Dalmatian is the oldest representative of the temple belongs to the eighteenth century . It is used for feasts of white, although there vestments of all liturgical colors.
comes from a costume shop in Valencia, Valencia is colored silk.

Chasubles

are used to celebrate the Eucharist.
Chasuble's oldest temple is the nineteenth century, red decorated with Eucharistic reasons: spikes and clusters of grapes.

Alba

floor is placed under the chasuble or the layer, depending on whether the Eucharist or a procession.
The oldest is the late nineteenth century.

And with this article on fabrics as we concluded our review to Alcublas Sacred Art, based on work done by Encarna Alcaide Cabanes.